Emotions as a Phenomenon of Vocal and Opera Music

The article examines the phenomenon of emotions as one leading patterns creation vocal score singer-actor, communicative intermediary between composer, librettist, singer-actor and listener-viewer. Opera a synthetic art unites together music, poetry, production, scenography, face-paint costumes. By means melody, its rhythmical intonational texture builds up ciphers those which singer must arouse from Frequently composers in piano-vocal scores their operas have provided descriptions stage settings, well nuances motion plastic, order to bring out emotional colors greater degree by pantomime. In such situations it is important research operatic expression not merely point view musicology or theater studies. opera requires study direct connection with psychology, physiology sociology culture. authors update concept parts composition presenting completed form positions psycho-physiology emphasizing importance examination. part Herman Tchaikovsky’s Queen Spades chosen object